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![]() The third act of Civil War makes things smaller and more personal, but the emotional stakes are higher. Following a much-hyped and massive superhero blowout battle, the Russos and Markus/McFeely know better than to top that. #Captain america civil war 2 disc review movie#The genius of this movie too is that while the standard impulse is to go bigger, usually resulting in a climax involving buildings falling and so forth, Captain America: Civil War doesn’t fall into that trap (the less said about BvS’s mess of an ending, the better). The clash between Batman and Superman felt like two assholes trying to kill each other for no good reason when Cap and Iron Man go at it here, we’re watching the collapse of a years-long and often turbulent partnership that neither really wants to happen, and it’s tragic. #Captain america civil war 2 disc review series#Both films feature similar ideas (collateral damage caused by superheroes) and similar attempts to both introduce and carry a large cast of characters.īut while BvS shoved everything but the Hall of Justice sink into its story and pushed characters we neither knew well or cared much about through a series of increasingly contrived motions, Civil War takes people we have come to know and love over the course of 12 previous movies and sets them against each other in such a way that we feel the futility and pain of what they’re doing to each other. There’s no way to discuss Captain America: Civil War without also bringing up Batman v Superman: Dawn of Justice, Warner Bros.’ attempt at booting up the DC Extended Universe all in one go. T’Challa has a major role to play in the film, while Spidey’s screen time is more limited, yet neither feels jimmied into the story the way, say, Black Widow did in Iron Man 2. The introductions of both Peter Parker/Spider-Man and T’Challa/Black Panther – Marvel’s most iconic hero and one of its most important, respectively – are especially handled with care. Civil War is Marvel’s longest movie yet, at just under two and a half hours, but it never drags and it never feels overstuffed, a fate which has befallen earlier Marvel features like Iron Man 2 and Avengers: Age of Ultron. #Captain america civil war 2 disc review full#Just reading that back, it’s one hell of a complicated plot, but full credit must go to directors Anthony and Joe Russo and screenwriters Christopher Markus and Stephen McFeely for keeping the action clear, focused and mostly easy to follow (except for a wobble or two in the third act). This all builds to a confrontation between our heroes that no one wants but everyone seems helpless to stop, with Tony bringing a surprise player in the shape of a young New York-based crime fighter known as Spider-Man (Tom Holland). In the wake of this, as well as the Avengers’ successful but destructive bouts with Loki, HYDRA and Ultron in New York, Washington and Sokovia respectively, the world’s governments have had enough of superheroes acting unilaterally.Īs Cap desperately tries to find Bucky in the hope of saving and redeeming him, another interested party, Wakandan leader T’Challa (Chadwick Boseman) gets involved in the pursuit, while a shadowy figure orchestrates some of the proceedings for his own agenda. ![]() Like many previous Marvel movies, Civil War is only loosely based on the comic book arc of the same name, but it captures the intent and tone of the central struggle while adapting it to the ongoing canon of Marvel’s screen counterparts.Ĭivil War opens with the current Avengers team – Cap, Natasha Romanoff/Black Widow (Scarlett Johansson), Sam Wilson/Falcon (Anthony Mackie) and Wanda Maximoff/Scarlet Witch (Elizabeth Olsen) – tracking down Brock Rumlow/Crossbones (Frank Grillo) in Lagos. Captain America: Civil War continues that tradition and, frankly, almost perfects it: more than any other Marvel film to date, Civil War juggles a number of different storytelling and character responsibilities successfully, resulting in an epic tale that feels incredibly intimate and puts the loyalties and ethics of the Avengers and others of their ilk to the test. The Captain America movies, by virtue of the fact that Steve Rogers is the cornerstone of the Marvel universe both in the comics and on screen, have been a combination of the two. The Marvel Cinematic Universe consists of roughly two types of films: most are standalone adventures based around one of the MCU’s central heroes, while every year or two comes an event picture – usually with Avengers in the title – that brings multiple heroes together in a story that ends up (in theory anyway) changing the shape of the MCU and having ramifications that echo through all succeeding films. ![]()
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